德拉克的回归

电影《德拉克的回归》免费完整版在线观看于1968年上映，由拉多万·卢卡夫斯基,古斯塔夫·瓦拉赫,艾米丽娅·瓦萨约娃,威廉·波洛尼,Jela,Buckova,Jozef,Cierny,Pavel,Chrobak,米库拉斯·洛迪津斯凯,Ivan,Macho,Ján,Mildner,Andrej,Mojzis,Jan,Pelech,卢多维特·赖特尔,斯特凡·克维季克,Milan,Mach等明星主演，并在其它发行。
标签：德拉克的回归,新浪潮,拉克,斯洛伐克,这部,电影,回归

与Stefan Uher和Elo Havatta一样(yàn
与Stefan Uher和Elo Havatta一样(yàng )，Eduard Grecner也是(shì )60年(nián )代斯洛伐克(kè )新(xīn )浪(🎏)潮(cháo )电影(🏇)的(de )缔造(zào )者之一。他的三部影片《一周(zhōu )七天》（1964）《尼绒月亮(🛺)》（1965）和这部《徳(🖍)拉克(kè )的(de )(🥀)回(huí )归》都(🐖)是(shì )斯(sī )洛伐(fá )克(🚢)新浪(📎)潮电影的代表作。这部(bù )(😞)叙(xù )事方法独特(tè )带有明显(xiǎn )意识流(liú )(🗞)风格的黑白影片甚至间(🌞)接影响到了后来(lái )法国(⏰)导演格里耶(🤷)在捷(jié )克(kè )拍摄的两部影片(piàn )《说谎的人》和《Eden and After》。　　A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).详情